Alone Again, Naturally
After over a month of lost posts (gotta love the information age), I'm yet again (hee) slowly rebuilding my arsenal, so bear with me as I repost some of those ramblings from season finales since May.
Which brings me to "House." It was an interesting ending to Season 3, as the final episode found the doctor everybody loves to hate (and hates to love) sans underlings, and strumming his guitar alone, not appearing at all unhappy at the situation.
I thought Season 3 was flawed on a number of levels -- I didn't like the way it opened, with House so magically healed by his coma that his thigh muscle had evidently grown back -- and I felt that some of the show's 'showiest' episodes of the season were also some of its worst, with House wildly inconsistent in character, even revealing himself as a a childhood victim of abuse. I dislike easy answers in writing, so I was unhappy with this, simply because I think House doesn't need a reason to be House -- he's a creature of nature, he just is. I don't need Freudian explorations or easy explanations of why House is the way he is. I love the character simply as someone who doesn't quite fit, who sees things a specific way and calls them on it to the world, not caring whether he's loved or hated for it.
I also thought the Tritter arc was a huge disappointment from a writing standpoint. I was so excited to see someone as wonderful as David Morse in the mix, and he brought a nice quiet menace and humor to his role, but the writing just wasn't there for him.
And yet, there was much to love in the season, with many patients who were strong and interesting characters in their own rights. I thought "Son of Coma Guy" was absolutely stunning, as were several other episodes throughout the season, and while the rape victim character didn't affect me (and in fact annoyed me, as written and acted), the little boy with autism moved me deeply, as did the expression on House's face when the boy gave him his beloved video game.
Which brings me to "House." It was an interesting ending to Season 3, as the final episode found the doctor everybody loves to hate (and hates to love) sans underlings, and strumming his guitar alone, not appearing at all unhappy at the situation.
I thought Season 3 was flawed on a number of levels -- I didn't like the way it opened, with House so magically healed by his coma that his thigh muscle had evidently grown back -- and I felt that some of the show's 'showiest' episodes of the season were also some of its worst, with House wildly inconsistent in character, even revealing himself as a a childhood victim of abuse. I dislike easy answers in writing, so I was unhappy with this, simply because I think House doesn't need a reason to be House -- he's a creature of nature, he just is. I don't need Freudian explorations or easy explanations of why House is the way he is. I love the character simply as someone who doesn't quite fit, who sees things a specific way and calls them on it to the world, not caring whether he's loved or hated for it.
I also thought the Tritter arc was a huge disappointment from a writing standpoint. I was so excited to see someone as wonderful as David Morse in the mix, and he brought a nice quiet menace and humor to his role, but the writing just wasn't there for him.
And yet, there was much to love in the season, with many patients who were strong and interesting characters in their own rights. I thought "Son of Coma Guy" was absolutely stunning, as were several other episodes throughout the season, and while the rape victim character didn't affect me (and in fact annoyed me, as written and acted), the little boy with autism moved me deeply, as did the expression on House's face when the boy gave him his beloved video game.
I enjoyed Chase's progression while continuing to find Cameron wildly inconsistent, yet I loved Cam in the episode with Pruitt Taylor Vince as well as in the episode with Joel Grey. I could also watch the hilarious episode in which House dosed Wilson with speed a million times and never get tired of it (and the often underappreciated Robert Sean Leonard has never been looser or funnier on the show).
As this season ended, with Foreman quitting, poor Chase fired, and Cam resigning, House seemed more than a little adrift, yet happy to be so. House has always shown a cruel streak where Chase was concerned, as if he's determined NOT to be the father Chase is always searching for, yet this was definitely his most extreme action to date. Yet I suspect that Chase will be back (hopefully with apology in tow), Cam will admit that she's still crushing on the gruff older guy (because she totally is), and Foreman will come back and admit that he isn't House -- he's his own particular brand of jerk.
The thing I always love about House, beyond the witticisms, beyond the patients of the week, is the way it celebrates someone who cannot and will not ever fit in. House glories in his individuality, and takes pride in everything that makes him different. He doesn't just march to the beat of a different drummer, he bashes the drummer over the head and pulls out his iPod. And thanks to the humanity and resonance brought to the part by the marvelous Hugh Laurie, House is never a caricature. There's always the glimmer of something more behind the eyes.
And so the ending to this season left me ambivalent, but part of me loved it. House is lonely, true. But it's the prison he chooses. As the curtain comes down, House is alone again, and loving it. Naturally.
As this season ended, with Foreman quitting, poor Chase fired, and Cam resigning, House seemed more than a little adrift, yet happy to be so. House has always shown a cruel streak where Chase was concerned, as if he's determined NOT to be the father Chase is always searching for, yet this was definitely his most extreme action to date. Yet I suspect that Chase will be back (hopefully with apology in tow), Cam will admit that she's still crushing on the gruff older guy (because she totally is), and Foreman will come back and admit that he isn't House -- he's his own particular brand of jerk.
The thing I always love about House, beyond the witticisms, beyond the patients of the week, is the way it celebrates someone who cannot and will not ever fit in. House glories in his individuality, and takes pride in everything that makes him different. He doesn't just march to the beat of a different drummer, he bashes the drummer over the head and pulls out his iPod. And thanks to the humanity and resonance brought to the part by the marvelous Hugh Laurie, House is never a caricature. There's always the glimmer of something more behind the eyes.
And so the ending to this season left me ambivalent, but part of me loved it. House is lonely, true. But it's the prison he chooses. As the curtain comes down, House is alone again, and loving it. Naturally.
















